Counterfeit lady, p.1
Larger Font   Reset Font Size   Smaller Font       Night Mode Off   Night Mode

       Counterfeit Lady, p.1
Download  in MP3 audio

         Part #1 of James River Trilogy series by Jude Deveraux
Counterfeit Lady


  Critical acclaim for the marvelous romances of

  Jude Deveraux

  TEMPTATION

  “An exciting historical romance that centers on the early twentieth-century women’s rights movement…. Filled with excitement, action, and insight…. A nonstop thriller.”

  —Harriet Klausner, Barnesandnoble.com

  “[A] satisfying story.”

  —Booklist

  “Deveraux[’s] lively pace and happy endings…will keep readers turning pages.”

  —Publishers Weekly

  HIGH TIDE

  A Romantic Times Top Pick

  “High Tide is packed full of warmth, humor, sensual tension, and exciting adventure. What more could you ask of a book?”

  —Romantic Times

  “Fast-paced, suspenseful…. [A] sassy love story.”

  —Publishers Weekly

  “Exciting…may be Jude Deveraux’s best novel in her stellar career…. Fans of romantic suspense will gain much pleasure.”

  —Midwest Book Review

  Books by Jude Deveraux

  The Velvet Promise

  Highland Velvet

  Velvet Song

  Velvet Angel

  Sweetbriar

  Counterfeit Lady

  Lost Lady

  River Lady

  Twin of Fire

  Twin of Ice

  The Temptress

  The Raider

  The Princess

  The Awakening

  The Maiden

  The Taming

  The Conquest

  A Knight in Shining Armor

  Wishes

  Mountain Laurel

  The Duchess

  Eternity

  Sweet Liar

  The Invitation

  Remembrance

  The Heiress

  Legend

  An Angel for Emily

  The Blessing

  High Tide

  Temptation

  The Summerhouse

  Forever…A Novel of Good and Evil, Love and Hope

  Published by POCKET BOOKS

  This book is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons living or dead is entirely coincidental.

  An Original Publication of POCKET BOOKS

  POCKET BOOKS, a division of Simon & Schuster, Inc.

  1230 Avenue of the Americas, New York, NY 10020

  Copyright © 1984 by Deveraux Inc.

  All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Pocket Books, 1230 Avenue of the Americas, New York, NY 10020

  ISBN-13: 978-0-7434-5926-6

  ISBN-10: 0-7434-5926-1

  POCKET and colophon are registered trademarks of Simon & Schuster, Inc.

  Visit us on the World Wide Web:

  http://www.SimonSays.com

  Dear Readers,

  Years ago, long before it was fashionable, I researched the family tree of both my parents back to the time when our ancestors arrived in this country, some during the American Revolution, some years before. Always a romantic, I was hoping to find a dashing highwayman or a disowned duke. Instead, what I found were generations, hundreds of years, of American farmers. There were no fascinating criminals that I could find, but only an embarrassing number of illegitimate children.

  When I was older, I realized that passion that resulted in out-of-wedlock children was far more romantic than robbers, dashing or not. And when I started writing I began to think of all my farmer ancestors and their uncontrollable passions and wondered if a series of romances could be written about men who didn’t control armies or fight with kings, but written, instead, about plain men and women whose lives revolved around spring crops.

  I hope you like my stories about ordinary people with ordinary problems and the ordinary needs for love that we all have.

  Jude Deveraux

  Santa Fe, New Mexico

  September 1983

  Chapter 1

  IN JUNE OF 1794, THE ROSES WERE IN FULL FLOWER and the lawns were of a green lushness that is known only in England. In the county of Sussex stood a small, square, two-story house, a plain house surrounded by a short iron fence. The house once had been part of a greater estate, an outbuilding for a gardener’s or gamekeeper’s family, but the rest of the estate had been subdivided long ago and sold to pay off the Maleson family’s debts. All that was left of this once great family was this small, neglected house, Jacob Maleson, and his daughter Bianca.

  Jacob Maleson now sat before the empty fireplace in the parlor on the ground floor—a short, corpulent man, the lower buttons of his vest unbuttoned over the expanse of his large stomach, his coat carelessly tossed over another chair. His plump legs were encased in broadcloth breeches, reaching to just past his knees where they were fastened with brass buckles, his calves were covered with cotton stockings, his feet were bulging from thin leather pumps. A large, sleepy Irish setter leaned against one arm of the old wing chair, and Jacob idly fondled the dog’s ears.

  Jacob had grown used to his simple country life. Truthfully, he rather liked having a smaller house, fewer servants, and less responsibility. He remembered the big house of his childhood as a place of wasted space, a place that took up too much of his parents’ time and energy. Now he had his dogs, a good joint of meat for dinner, enough income to keep his stables going, and he was content.

  His daughter was not.

  Bianca stood before the tall mirror in her second-floor bedroom and smoothed the long muslin dress over her tall, plump body. Every time she looked at herself in the new French fashions, she felt a touch of disgust. The French peasants had revolted against the aristocracy, and now, because those weak Frenchmen could not control their underlings, all the world had to pay. Every country looked at France and worried that the same thing could happen to them. In France, everyone wanted to look as if they were part of the commoners; therefore, satins and silks were practically banned. The new fashions were of muslins, calicos, lawns, and percale.

  Bianca studied herself in the mirror. Of course, the new gowns suited her perfectly. She was just worried about other women less fortunately endowed than herself. The gown was cut very low, with a deep scoop across her large breasts, hiding very little of their shape and whiteness. The pale blue India gauze was tied with a wide ribbon of blue satin just under her breasts, the gown falling straight down from the ribbon to the floor where a row of fringe ran along the hem. Her dark blond hair was pulled back from her face and held with a ribbon, and fat sausage curls hung over her bare shoulder. Her face was fashionably round, with pale blue eyes like her dress, light brows and lashes, her little pink mouth forming a perfect rosebud, and when she smiled there was a tiny dimple in her left cheek.

  Bianca moved away from the tall mirror to her dressing table. It, like nearly everything else in the room, was decorated with pale pink tulle. She liked pastels around her. She liked anything that was gentle, delicate, and romantic.

  There was a large box of chocolates on the dressing table, the top layer almost empty. Peering into the box, she wrinkled her nose prettily. The horrible French war had stopped the manufacture of the best chocolates, and now she had to make do with second-rate English chocolate. She chose one piece of candy, then another. When she was on her fourth piece and licking her dimpled fingers, she saw Nicole Courtalain enter the room.

  The inferior chocolates, the thin fabric of the dress, and Nicole’s presence were all a result of the Revolution in France. Bianca chose another chocolate and watched the young Frenchwoman as she moved quietly about the room, putting away the gowns Bianca had strewn across t
he floor. Nicole made Bianca realize how very generous she and all the English were. When the French had been thrown out of their own country, the English had taken them in. Of course, most of the French had supported themselves economically; in fact, they had even introduced a new thing called a restaurant to England. But then there were people like Nicole—no money, no relatives, no occupation. That’s when the English had shown their true generosity. One by one, they’d taken these waifs into their homes.

  Bianca had gone to a port on the eastern coast of England and met a shipload of the refugees. She had not been in a good mood. Her father had just informed her that he could no longer afford to pay for her personal maid. There’d been an awful row between the two until Bianca had remembered the émigrés. She had dutifully gone to help the poor, homeless Frenchmen and to see if she could extend her charity to one of them.

  When she saw Nicole, she knew she’d found what she wanted. She was small, her black hair hidden under a straw bonnet, her face heart-shaped with enormous brown eyes shaded by short, thick, dark lashes. And in those eyes was a great deal of sadness. She looked as if she didn’t care whether she lived or died. Bianca knew that a woman who looked like that would be very grateful for Bianca’s generosity.

  Now, three months later, Bianca almost regretted all that she had given Nicole. It wasn’t that the girl was incompetent; actually, she was almost too competent. But sometimes her graceful, easy movements made Bianca feel almost clumsy.

  Bianca looked back at the mirror. What an absurd thought! Her figure was majestic, stately—everyone said so. She gave Nicole a nasty look in the mirror and pulled the ribbon out of her hair.

  “I don’t like the way you did my hair this morning,” Bianca said, leaning back in the chair and helping herself to two more pieces of candy.

  Silently, Nicole went to the dressing table and took a comb to Bianca’s rather thin hair. “You haven’t yet opened the letter from Mr. Armstrong.” Her voice was quiet, with no accent, except that each word was pronounced carefully.

  Bianca gave a little wave of her hand. “I know what he has to say. He wants to know when I’ll be coming to America, when I’ll marry him.”

  Nicole combed one of the curls over her finger. “I would think you’d want to set a date. I know you’d like to marry.”

  Bianca looked up in the mirror. “How little you know! But, of course, I couldn’t expect a Frenchwoman to understand the pride and sensibilities of the English. Clayton Armstrong is an American! How could I, a descendant of the peers of England, marry an American?”

  Carefully, Nicole tied the ribbon around Bianca’s head. “But I do not understand. I thought your engagement was announced.”

  Bianca tossed the empty first layer of the candy box onto the floor and took a large piece from the second layer. Caramel was her favorite. With her mouth full, she began to explain. “Men! Who can understand them? I must marry if I am to escape this.” Waving her hand, she indicated the small room. “But the man I marry will be far removed from Clayton. I’ve heard that some of the Colonials are close to being gentlemen, like that Mr. Jefferson. But Clayton is far from being a gentleman. Do you know that he wore his boots in the parlor? When I suggested that he purchase some silk stockings, he laughed at me—said he couldn’t deal with a cotton field in silk hose.” Bianca shuddered. “Cotton! He is a farmer, a boorish, overbearing, American farmer!”

  Nicole straightened the last curl. “And yet you accepted his proposal?”

  “Of course! A girl cannot have too many proposals; that only makes the bait more enticing. When I am at a party and I see a man I do not like, I say I am engaged. When I see a man I know is suitable for a woman of my class, I tell him I am considering breaking my engagement.”

  Nicole turned away from Bianca and picked up the empty candy papers. She knew she shouldn’t say anything, but she couldn’t help herself. “But what of Mr. Armstrong? Is this fair to him?”

  Bianca walked across the room to a chest of drawers and tossed three shawls to the floor before she chose a paisley one from Scotland. “What does an American know of fairness? They’re an ungrateful lot to declare themselves independent of us after we’d done so much for them. Besides, it was insulting to me that he thought I’d ever marry a man like him. He was a bit frightening in his tall boots with his arrogant ways. He looked more at home on a horse than in a drawing room. How could I marry someone like that? And he asked me after I’d known him only two days. He received a letter that his brother and sister-in-law had been killed, and suddenly he asked me to marry him. What an insensitive man! He wanted me to return right then to America with him. Of course I declined.”

  Not allowing Bianca to see her face, Nicole began folding the discarded shawls. She knew that what she felt too often showed in her face, that her eyes mirrored her thoughts and feelings. When she’d first come to the Maleson household, she’d been too numb to listen to Bianca’s tirades about the ignorant, weak French or the crude, ungrateful Americans. Then, all that occupied her thoughts was the red horror of the Revolution—her parents dragged away, her grandfather…No! She wasn’t ready to remember that stormy night yet. Maybe Bianca had explained before about her fiancé, and Nicole hadn’t heard. It was highly likely. Only in the last few weeks had she seemed to awaken from her sleepwalking.

  Three weeks ago, she’d met a cousin of hers in a shop while she waited for Bianca to have a dress fitted. Nicole’s cousin was opening a little dress shop in two months, and she’d offered to let Nicole buy into it. For the first time, Nicole had seen a way to become independent, a way to become something more than an object of charity.

  When she’d left France, she’d escaped with a gold locket and three emeralds sewn into the hem of her dress. After seeing her cousin, she sold the emeralds. The price she’d received was very low, for the English market was flooded with French jewels and the hungry refugees were often too desperate to quibble about price. At night, Nicole stayed up late in her little attic room in Bianca’s house and sewed pieces for her cousin, trying to earn more money. Now she almost had enough, carefully hidden inside a chest in her room.

  “Can’t you hurry?” Bianca said impatiently. “You’re always daydreaming. No wonder your country is at war with itself, when it’s populated by people as lazy as you are!”

  Nicole straightened her back and lifted her chin. Just a few more weeks, she told herself. Then she’d be free.

  Even in her numb state, Nicole had learned one thing about Bianca—her dislike of the physical presence of men. She would allow no man to touch her in any way if she could help it. She said she found them crude, loud, insensitive beings. Only once had Nicole seen her smile with genuine warmth at a man, and he was a delicately boned young man with abundant lace at his cuffs and a jeweled snuff box in his hand. For once, Bianca had not seemed afraid of a man, and she had even allowed him to kiss her hand. Nicole was awed by Bianca, who was willing to overlook her aversion to the male touch and to marry in order to better her social status. Or maybe Bianca had no idea what went on between a husband and a wife.

  The two women left the small house, walking down the narrow central stairs with its worn carpet. Behind the house was a small stable and carriage house, which Jacob Maleson kept in much better repair than the house. Every day at half past one, Nicole and Bianca rode together through the park in an elegant little two-seat, one-horse carriage. The parkland had once belonged to the Maleson family but was now owned by people Bianca considered upstarts and commoners. She’d never asked if she could ride through the wooded park, yet no one had challenged her. During this time of day, she could imagine herself the lady of the manor as her grandmother once was.

  Her father refused to hire a driver for her, and Bianca would not ride in the same carriage as the smelly stablemen, nor would she drive her own carriage. The only thing left to do was have Nicole drive the thing. She certainly didn’t seem afraid of the horse.

  Nicole liked driving the little carriage. Somet
imes in the early morning, after a few hours of sewing and before Bianca awoke, she’d go to the stables and pet the beautiful chestnut gelding. In France, before the Revolution had destroyed her home and her family’s way of life, she’d often ridden for hours before breakfast. These quiet early mornings almost made her forget the death and the fire she’d seen since then.

  The park was especially beautiful in June, the trees hanging over the graveled paths, shading them, making lovely little dappled patches of sunlight across the women’s dresses. Bianca held a ruffled parasol at an angle over her head, working hard at keeping her pale skin that way. Glancing at Nicole, she snorted. The silly girl had put her straw bonnet on the seat between them, and the air was blowing through her glossy black hair. The sunlight made her eyes sparkle, and her arms holding the reins were slim and curved in places. Bianca looked away in disgust. Her own arms were exceptionally white and softly plump, as a woman’s should be.

  “Nicole!” Bianca snapped. “Could you for once act like a lady? Or at least remember that I am one? It is bad enough that I must be seen with a half-undressed woman, but now you have us nearly flying in this thing.”

  Nicole gathered the thin cotton shawl over her bare arms, but she did not put on her bonnet. Dutifully, she clucked to the horse and slowed it down. Just a little more time, she thought, and she would no longer be at Bianca’s beck and call.

  Suddenly, the quiet afternoon tranquility was shattered by four men on horseback. They rode large, big-footed horses, more suited for pulling a wagon than for riding. It was unusual to see anyone else on the path, especially men who were obviously not gentlemen. Their clothes were tattered, their corduroy trousers stained. One of the men wore a long-sleeved cotton shirt with large red and white stripes.

  For a solid year in France, Nicole had lived in terror. When the furious mob had stormed her parents’ chateau, she and her grandfather had hidden inside a clothes chest and later escaped under the cover of the black smoke that came from their burning home. Now, her reactions were swift. Recognizing the menace of the men, she used her long whip to flick the gelding’s rump and urge the horse to a trot.

 
Turn Navi Off
Turn Navi On
Scroll Up
Scroll