Gates of paradise, p.1
Gates of Paradise, p.1Part #4 of Casteel series by V. C. Andrews
Gates of Paradise
Casteel #4 V.C. Andrews
Copyright (c) 1990
. For as long as I could remember, the only person I could share my deepest secrets with was Luke Casteel, Jr. It was as if it were truly alive only when he was with me, and in my secret putaway heart, I knew he felt the same way, even though he had never dared say anything about it. I wanted to look at him, look into his soft dark sapphire eyes forever and ever and tell him what I really felt, but the words were forbidden. He was my half brother.
But there was one way I could look continually at him and he at me without either of us being selfconscious about it or feeling someone would discover our secret, and that was whenever I painted him. He was always a willing subject. With the easel between us and my world of art serving as a window, I could stare closely at his perfectly shaped, high-cheeked, bronze face and I could capture the way those unruly, jet-black strands of hair always fell over his forehead.
Luke had my aunt Fanny's hair, but my father's deep blue eyes and perfect nose. There was strength in the lines of his mouth and in his sharp, smooth jawline. I couldn't help seeing the clear resemblances to my father, and even to myself. He had the same tall, lean build Daddy had and kept his shoulders back the same way. The resemblances always saddened me because they reminded me that Luke wasn't simply my half brother; he was my illegitimate half brother, born out of a passionate indiscretion between Daddy and my aunt Fanny, my mother's sister, something we all understood was best kept unmentioned.
We tried to leave it behind us, stuffed away in the shadows, even though we both knew people whispered and gossiped about us in Winnerrow. Although my family was the most prominent in Winnerrow, we were a very odd family indeed. Luke, Jr. lived with his mother, who had been married twice: once to a man much older who had died, and once to a man much younger, who had divorced her.
Everyone in Winnerrow remembered the court hearing over who would win custody of Mommy's and Aunt Fanny's half brother Drake, after their father Luke and his new wife Stacie were killed in a car accident. Drake was only about five at the time. The argument was settled out of court, with Mommy getting custody and Aunt Fanny getting a lot of money. Drake hated to hear about it, and more than once got into a fight at school when some boy teased him about "being bought and paid for." Mother said Drake had her father's temper anyway. He was handsome, muscular, and very athletic, as well as very bright and determined. Now he was a student getting his M.B.A. at Harvard Business College. Even though he was really my uncle, I always thought of him as a big brother. Mommy and Daddy raised him as they would raise a son.
Most everyone in Winnerrow knew about Mommy, how she was born and raised in the Willies, how her mother had died giving birth to her, how she had lived in a shack most of her young life, and then gone off to live with her mother's rich family, the Tattertons.
She lived at Farthinggale Manor, or "Farthy," as she often called it whenever I could get her to talk about it, which wasn't very often.
But Luke and I talked about it.
Farthinggale Manor . . . it loomed high in our imaginations . . this magical, yet sinister place, a castle filled with a thousand secrets, some of which we just knew had to do with us. It was still the home of the mysterious Tony Tatterton, the man who had married my great-grandmother and who still ran the great Tatterton Toy empire, now only loosely associated with our Willies Toy factory. For reasons Mother would not discuss, she refused to have anything to do with him, even though he never failed to send us all birthday and Christmas cards. He had sent me dolls from everywhere in the world every birthday for as long as I could remember. At least she let me keep them . . . precious little Chinese dolls that had long, straight black hair, and dolls from Holland and Norway and Ireland with colorful costumes and beautiful, sparkling faces.
Luke and I wanted to know more about Tony Tatterton and Farthy. Even Drake was very curious, although he didn't talk about it half as much as Luke and I did. If only our home, Hasbrouck House, was as open and revealing about the family's past as it was on holidays when Mommy and Daddy's friends and their families wandered freely through it. There were so many lingering questions. What finally had brought my parents back here from the rich, lavish world of Farthinggale Manor? Why did my mother want so much to return to Winnerrow where she had been considered lower than everyone because she was a Casteel from the Willies? Even when she had been a teacher here, she hadn't been fully accepted by the rich, snobby townspeople.
So many secrets haunted the shadows around us, hanging in the corners of our minds like old cobwebs. For as long as I could remember, I felt something was supposed to be told to me about myself, but no one had told it not my mother, not my father, and not my uncle Drake. I sensed it in the silences that sometimes fell between my parents and between them and me, especially between my mother and me. wished I could come to a clear, clean canvas and lift my paintbrush and pull the truth out of the blank white sheet before me. Maybe that was why I had always been obsessed with my painting. Hardly a day passed when I didn't paint something. It was as much a part of me as breathing.
Part 1 ONE Family Secrets
"Oh no!" Drake exclaimed, coming up behind me without my realizing it because I was so involved in my painting. "Not another picture of Farthinggale Manor with Luke, Jr. gaping out a window at the rolling clouds." Drake rolled his eyes and pretended to go into a faint.
Luke sat up quickly and brushed the strands of hair of his forehead. Whenever anything embarrassed or unnerved him, he always went to his hair. I turned slowly, intending to scowl at Drake the way Miss Marbleton, Luke's and my English teacher, would every time anyone misbehaved or spoke out of turn; but Drake wore his impish smile, and his coal-black eyes glimmered like two dew-covered stones. I couldn't make myself angry at a face like that. He was so handsome, but no matter how often he shaved, he had a dark cloud in his complexion. My mother was always running her hand over his cheeks affectionately and telling him to shave away the porcupine quills.
"Drake," I said softly, practically pleading with him not to say anything more that might embarrass Luke and me.
"Well, it's true, Annie, isn't it?" Drake persisted. "You must have done a half dozen pictures like this with Luke inside of Farthy or walking about the grounds. And Luke wasn't ever there!" He raised his voice to clearly remind us that he had been. I tilted my head to the side the way my mother did when something suddenly occurred to her. Was Drake jealous of my using Luke as an artistic subject? It never occurred to me to ask him to pose because he rarely sat still long enough for me to paint his likeness.
"My pictures of Farthy are never the same," I cried defensively. "How can they be? I'm working only from my own imagination and the little tidbits I've been able to pick up here and there from Daddy and Mommy."
"You would think anyone would realize that," Luke remarked, his eyes remaining fixed on his English literature textbook. Drake widened his smile.
"What, has the great Buddha spoken?" Drake's eyes danced with glee. Whenever he could get Luke to rise to one of his taunts, he was happy.
"Drake, please. I'm losing my mood," I pleaded, "and an artist has to seize the moment and hold it the way you would hold a baby bird . . . softly, but firmly." I didn't mean to sound so pretentious, but there was nothing I hated more than Luke and Drake getting into an argument.
My beseeching eyes and pleas worked. Drake's face softened. He turned back to me, his posture relaxed. Mother always said Drake strode through Winnerrow with a Casteel's pride. Because he was six feet two with broad shoulders, a narrow waist, and muscular arms, that wasn't hard to imagine.
Luke looked up from his textbook, genuinely surprised at the invitation, his eyes small and inquiring. Was Drake sincere? Since he had come home for his spring break, he had spent almost all his time with his older friends.
"Well, I. ." Luke looked to me. "I had to study for this unit test," Luke explained quickly, "and I thought while Annie was painting me . . ."
"Sure, sure, I understand, Einstein. Einstein," Drake repeated, gesturing toward Luke, his voice dripping with sarcasm. "It's not all books, you know," he said, spinning to face him again. This time his face was serious. "A lot of it has to do with getting to know people, getting them to like you, respect you. That's the secret of success. More executives are coming of the playing fields than out of the classrooms," he lectured, waving his long, right forefinger. Luke said nothing in response. He ran his fingers through his hair and fixed that stoical, yet piercing, analytical gaze on Drake, something Drake couldn't stand. "Ah, why I am wasting my breath?"
Drake turned to my painting again.
"I told you that Farthy was gray, not blue," he corrected softly.
"You were only five at the time you were there and you said yourself, you were hardly there. Maybe you forgot," Luke said, quickly coming to my defense.
"You don't forget the color of a building as big as that!" Drake exclaimed, pulling in the corners of his mouth. "No matter how young you are at the time or how short you stay."
"Well, you once told us there were two outside pools and then Logan finally corrected that, telling us there was only one outside, but one indoors," Luke continued.
When it came to Farthy, both he and I were as exacting as we could be, cherishing whatever small details and truths we knew. So little had been given to us about it.
"Is that so, Sherlock Holmes?" Drake replied, his eyes growing smaller, colder. He didn't like being corrected, especially by Luke. "Well, I never said there were two outside pools; I just said there were two pools. You just don't listen when I tell you something. It amazes me you're doing so well in school. What'dya do, cheat?"
"Drake, please!" I exclaimed, grasping his wrist and squeezing softly.
"Well, he doesn't listen. Unless it's you who does the talking," he added, smiling, content because he had struck a sensitive spot. Luke blushed, his blue eyes swinging my way briefly before he turned away, his face turning sad.
I looked beyond him, just over the first rise in the Willies at a wisp of a cloud that the wind had molded into the shape of a tear. Suddenly I felt like crying myself and it wasn't only because of the conflict between Drake and Luke. It wasn't the first time this melancholy mood had come over me like a dark cloud passing over the sun. What I did realize was that the sad feelings often stimulated my desire to paint. Painting brought me relief, a sense of balance and peace. I was creating the world I wanted, the world I saw with inner eyes. I could make it forever spring or make winter dazzling and beautiful. I felt like a magician, conjuring something special in my mind and then bringing it to life on the empty canvas. While I was sketching in my latest image of Farthy, I felt my heart grow lighter and the world around me grow warmer and warmer, as if I were lifting a shadow off myself. Now because Drake had really interrupted the mood, my sadness returned.
I realized Drake and Luke were both staring at me, their faces troubled by my gray expression. I fought back the urge to cry, and smiled through the shadow over my face.
"Maybe each of my paintings of Farthinggale Manor are different because it changes," I finally said in a voice barely above a whisper. Luke's eyes widened and a smile rippled across his soft lips. He knew what that tone in my voice meant. We were about to play the fantasy game, to let our imaginations wander recklessly about and be unafraid to say what other seventeen- and eighteen-year-old teenagers would find silly.
But the game was more than that. When we played it, we could say things to each other that we were afraid to say otherwise. I could be his princess and he my prince. We could tell each other what we felt in our hearts, pretending it wasn't us but
imaginary people who were speaking. Neither of us blushed or looked away.
Drake shook his head. He, too, knew what was coming. "Oh no," he said, "you two don't still do this." He covered his face in mock embarrassment.
I ignored him, stepped away and continued.
"Maybe Farthy is like the seasons--gray and dismal in the winter and bright blue and warm in the summer." I was looking up as if everything I thought was suggested to me by the patch of blue sky. Then I shifted my eyes toward Luke.
"Or maybe it becomes whatever you want it to become," Luke said picking up the thread. "If I want it to be made of sugar and maple, it will be."
"Sugar and maple?" Drake smirked.
"And if I want it to be a magnificent castle with lords and ladies-in-waiting and a sad prince moping about, longing for his princess to return, it will be," I responded, lifting my voice above his.
"May I be the prince?" Luke asked quickly and stood up. "Waiting for you to come?" Our eyes seemed to touch and my heart began to pound as he stepped closer.
He took my hand, his fingers soft and warm, and stood up, his face only inches from me.
"My Princess Annie," he whispered. His hands were on my shoulders. My heart pounded. He was going to kiss me.
"Not so fast, Twinkle Toes," Drake suddenly said, leaning over and pulling up his shoulders to make himself look like a hunchback. He folded his fingers into claws and came toward me. "I'm Tony Tatterton," he whispered in a low, sinister tone, "and I've come to steal the princess from you, Sir Luke. I live in the darkest, deepest bowels of the castle Farthy and she will come with me and be forever shut up in my world to become the princess of the darkness." He pealed off an evil-sounding laugh.
Both Luke and I stared at him. The look of surprise on both our faces made Drake self-conscious. He straightened up quickly.
"What drivel," Drake said. "You've even got me doing it." He laughed.
"It's not drivel. Our fantasies and our dreams are what make us creative. That's what Miss
Marbleton told us in class recently. Didn't she, Luke?" Luke only nodded. He looked upset, deeply wounded, his eyes down, his shoulders turned in the way Daddy's would be when something disturbed him. Luke had so many of Daddy's gestures.
"I'm sure she didn't mean making up stories about Farthy," Drake responded and smirked.
"But don't you always wonder what Farthy is really like, Drake?" I asked.
"One of these days, I'll take off some time from college and just go there. It's not far from Boston," he added nonchalantly.
"Will you really?" The idea filled me with envy. "Sure, why not?"
"But Mommy and Daddy hate to talk about it," I reminded him. "They would be furious if you went there."
"So . . I won't tell them," Drake said. "I'll only tell you. It'll be our secret, Annie," he added, looking pointedly at Luke.
Luke and I looked at each other. Drake didn't have our intensity when it came to talking about the past and Farthy.
Occasionally I would sneak a look at the wonderful pictures of Mommy and Daddy's fabulous wedding reception held at Farthinggale: pictures of so many elegant people, men in tuxedoes and women in stylish gowns, tables and tables of food and servants rushing about everywhere, carrying trays of champagne goblets.
And there was a picture of Mommy and Tony Tatterton dancing. He looked so debonair, like a movie star; and Mommy looked so vibrant and fresh, her cornflower-blue eyes, the eyes I inherited, dazzling. When I looked at that picture, it was hard to believe that he could do anything so terrible to turn her against him. How sad and mysterious it all was. It was what often drew me back to the pictures, as if studying them would reveal the dark secret.
"I wonder if I will ever see how elegant and fabulous it really is," I said, half as a question and half as a wis
"Sixteen years," Luke said skeptically.
"Still, he can close his eyes and remember something, see something," I insisted. "What I see of Farthy is only what I create out of my imagination. How close have I come? If only my mother would be willing to talk about it. If only we could visit. We could ignore Tony Tatterton; we wouldn't even look at the man. I wouldn't say a word to him, if she forbade it, but at least we could wander about and . ."
Luke jumped to his feet as my mother stepped around the corner of the house where she had obviously been listening to our conversation. Drake nodded as though he had expected her to make such an abrupt appearance.
"Yes, Mommy?" I retreated behind my easel. She looked at Luke, who quickly shifted his eyes away, and then she approached me, avoiding any look at my canvas.
"Annie," she said softly, her eyes filled with a deep, inner sorrow, "haven't I asked you not to torment yourself and me by talking about
"I warned them," Drake said.
"Why don't you listen to your uncle, honey. He's old enough to understand."
"Yes, Mother." Even as sad as she looked, she was beautiful, her complexion rosy, her figure as firm and as youthful as it was the day she and my father were married. Everyone who saw us together had the same reaction, especially men. "You two look more like sisters than mother and daughter."
"I've told you how unpleasant it is for me to remember my days there. Believe me, it is no fairytale castle. There are no handsome young princes waiting to swoon at your feet. You and Luke shouldn't . . . pretend such things."
"I tried to stop them," Drake said. "They play this silly fantasy game."
"It's not so silly," I protested. "Everyone fantasizes."
"They act like grade-school children
sometimes," Drake insisted. "Luke encourages her."
Gates of Paradise by V. C. Andrews / Young Adult / Horror have rating 4 out of 5 / Based on32 votes